
This year, MUSIC FRONTIERS is going to happen in Hamburg on September 17 & 18 at the epicenter of Reeperbahn Festival - Europe's largest club festival.
Our program goes where most music conferences won't: beyond the current value chain, into the territories where music collides with AI, spatial computing, rights infrastructure, new business models, and the wider creative industries.
NETWORKING
ANGIE’S
FRANZBRÖTCHEN, CONNECTIONS & FUTURE MAKERS:
brought to you by the Music Tech Coalition
Kickoff networking breakfast bringing together attendees and industry leaders to open Music Frontiers 2026.
KEYNOTE
schmidtchen
Opening address setting the scope, themes, and vision for the conference program.
PANEL
schmidtchen
Panel addressing cross-industry collaboration and joint initiatives across music technology ecosystems.
PANEL
schmidtchen
Focuses on how independent artists build sustainable revenue using direct-to-fan channels and owned platforms.
KEYNOTE & PANEL
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Explores shifting social media dynamics and emerging strategies for organic fan engagement beyond algorithms.
INTERVIEW
schmidtchen
Interview detailing the impact of music supervision on character development and story arcs in television.
PANEL
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Panel discussing automated micro-licensing platforms scaling sync clearance for modern digital creators.
PANEL
schmidtchen
Reviews funding options for musicians, from catalog advances and fan investment to alternative finance models.
Fireside-Chat
schmidtchen
Fireside chat exploring human-AI collaboration in composition, creative boundaries, and legal implications.
KEYNOTE
ANGIE’S
Keynote analyzing strategies to translate music's massive cultural value into stronger economic models.
PANEL
ANGIE’S
Panel evaluating how generative AI impacts studio workflows, creative choices, and song production.
PANEL
ANGIE’S
*This session is conducted in German.
German-language session discussing voice rights, identity protection, and legal frameworks in AI music.
SHOWCASE
ANGIE’S
Live demonstrations of groundbreaking music tech solutions and early-stage startup innovations.
PANEL
ANGIE’S
Covers therapeutic music applications, clinical research, and commercial opportunities in health tech.
RECEPTION
ANGIE’S
by MusicTech Germany, Music Tectonics, Music Tech Europe, Music Tech Coalition
Evening reception hosted by MusicTech Germany, Music Tectonics, Music Tech Europe, and Music Tech Coalition.
FIRESIDE CHAT
ANGIE’S
Morning networking session hosted by Groover and DISCO to connect music tech founders, labels, and creators.
FIRESIDE CHAT
schmidtchen
Demystifies artificial intelligence capabilities to assess practical, realistic tools for creative workflows.
PANEL
schmidtchen
Addresses training data rights and attribution gaps to ensure fair creator attribution and royalties.
PANEL
schmidtchen
Discusses why expert human curation and personal taste are increasingly vital in an algorithmic landscape.
PANEL
schmidtchen
Explores physical formats like vinyl and cassettes, focusing on tangible collector goods and fan connection.
PANEL
schmidtchen
Shows how music companies integrate fragmented data sources to optimize decisions and scale growth.
PANEL
schmidtchen
*This session is conducted in German.
German-language session examining trust restoration and human oversight in an AI-driven music industry.
INTERACTIVE
THINK TANK
ANGIE’S
Interactive think tank mapping future web networks, policy shifts, and decentralized European music models.
FIRESIDE CHAT
ANGIE’S
Examines back-office AI adoption across rights administration, catalog processing, and operational tasks.
PANEL
ANGIE’S
Explains how clean metadata and modern rights infrastructure reactivate legacy catalog earnings.
PANEL
ANGIE’S
Panel discussing the transition from standalone software tools to autonomous AI agents in music business ops.
SHOWCASE
ANGIE’S
Second showcase session featuring pitches and product demos from international music tech innovators.
PANEL + PITCHES
ANGIE’S
Investors and founders discuss venture capital trends, funding obstacles, and startup opportunities for 2026.
AFTERPARTY
Hafenklang
Official closing afterparty hosted at Hafenklang to celebrate and network late into the night.
Buy a ticket either for the full 2-day experience or join us for just one of the days.
Tickets include access to all sessions, workshops, networking receptions, and innovation showcases.
If you are younger than 30 years, you can get a discount of 30% on your ticket.
In order to get the discounted ticket, please send us a copy of your ID via email.

François Pachet (Flow Records) | TURO PEKARI (Copyright Delta / Music Tech Europe) | MERSHAD JAVAN (GoDigital Music) | MARIT WOODY-LAMBIN (The Swedish Jazz Federation) | GEORG ILIAS (Crates) | TIM HALLORAN (Skipless) | DAVID GEISSER (ZATAP) | CHRISTIAN BEHRENS (Sway me more GmbH) | ALBERT GRUBER (seeqnc GmbH) | SILVIA MONTELLO (Voicebox Music Consulting Limited) | YVONNE ERIKSEN (Nordic Records / VIRE) | DENNIS COLLOPY (Creative Industries Policy and Evidence Centre and Menace Management) | INDRE BOARETTO (Elevate in Music) | GRACE MANNING (Cantilever Music) | BAS GRASMAYER (Calm & Fluffy) | STEFFEN HOLLY (Fraunhofer IDMT) | JESSIE DYMOND (Overflow) | SINI TIAINEN (Qobuz) | Ivana Claudel (Best Nights VC) | Amélie Anglade (seeqnc) | Jakob Wredstrøm (Amplitude Ventures) | Taj A. Khan (Amplitude Ventures) | Michael R. Böwadt (SoundInvest) | Hanna Lukashevich (Fraunhofer IDMT) | Jessica van Loon (BumaStemra) | Anastasia Schöck (Epidemic Sound) | LudwigSelsNamier (Creative Industries) | Guy Morrow (University of Melbourne) | Markus Schwarzer (CYANITE) | Max Shafer (Just 4 Noise) | Jonny Amos (Jonny Amos) | Vasja Veber (Viberate, music data layer for AI) | Knut Schlinger (MusikWoche) | Alex Warnke (PRO Agency) | Tabitha Thorlu-Bangura (Tabitha Thorlu-Bangura) | Codruta Vulcu (ARTmania) | Christine Osazuwa (Measure of Music) | Christine Preitauer (Christine Preitauer) | Terry Tyldesley (Kat Five) | Jana Vejmelka (Music & Entertainment) | Yohan Hennequin (views in soud (regard sonores )cats on trees) | Balbina | Florian von Hoyer (AIxchange) | Andreas Kohl (Making Vinyl) | Aël Guégan (Soundcharts) | Mariia Saveleva (Lexi | AIRA Law) | Tom Tyler (Rezonate Music) | Sönke Schal (Karsten Jahnke Konzertdirektion GmbH) | Christoph Hüning (NMA.vc) | Ninon Devis Salvy (Native Instruments // Ninon) | DR. CARSTEN WINTER ( Hanover University of Music, Drama and MediA) | Theresia Crone (Aktivistin) | Anna Gruszka (Songmate - Epic Elite) | Benjamin Geyre (Lissen) | Agnes ChunG (Bold Forward) | Maurits Hagemans (Lotronic.live) | Jelmer Rotteveel (FindSocial) | Matthew St Pierre (Lisnin.io) | Emelie Olsson (Corite & Aflow) | Carl-Erik Moberg (TicketCo) | Cedric PISTOL (Payd Labs) | Matthias Hartwig (Budde Music Publishing) | Kelli Slade (Slade Music Services) | Mea Liedl (Bitwig GmbH) | Ronny Krieger (kitbetter / vut) | Nicole de Beer (Gigevate) | Idil Galip (Digital Culture Research Studio) | Chinyere Weiderer (GEMA) | Nisse Ingwersen (Nisse) | Charles Accarisi (Bridgent) | ShaNon Bobinger (Sipping RealiTeas) | Hanna Kahlert (MIDiA Research) | Tomas Luyke (Nettwerk Music Group) | Robert Linke (Image-Line) | Dr. Christian Alexander Bauer (Musicright) | Guido von Monrath (Everday is a Holiday Publishing&Management) | Paul Ramisch (tourdarts) | Johannes Cordes (HappyRights) | Fronx Wurmus (Vibseek) | Peter Brown (Music Tech Coalition / Venable LLP) | Mathis Nitschke (CORPUS by Sofilab GmbH) | Daniel Cole (LANDR) | Yohan Imakhoukhene (YAARZ) | Hendrik SChwarzer (Orchestral Tools) | Charlene San Buenaventura (MNGRS) | Karen Emanuel (Key Production Group) | Heiko Hoffmann (NYU Berlin) | ALEKSANDER BENJAnIN MORATO (VIBESEEK) | Goran Lazarevic (HfMT / Ligeti Zentrum) | Katharina Köhler (Management Deichkind, Wa22ermann, Paula Carolina, CONNY, The Red Flags) | SASKIA WHEELER (SASKIA WHEELER) | Dmitri Vietze (Rock Paper Scissors / Music Tectonics) | | Milena Fessmann (CINESONG) | Thomas Golubić (SuperMusicVision | Zoe Agnoly (ZANDOLY) | Matthias Strobel Hohmann (Musictech Germany | MUSIC TECH EUROPE)
If you're building tools, creating policy, producing music, funding innovation, or rethinking how any part of the music industry works, this is where you want to be.
MUSIC FRONTIERS is the event for those who don't want to wait for the industry to change; they're the ones changing it.

FRI 18.09.2026
Hafenklang
MUSIC FRONTIERS is part of this year's official Reeperbahn Festival conference program.
Still, tickets that are available here (in our MUSIC FRONTIERS ticket shop) give you access to the entire MUSIC FRONTIERS program, but not to the Reeperbahn Festival program.
If you also want to experience the Reeperbahn Festival or/and/or its conference, you can purchase tickets in their ticket shop.




